It's one of the highlights of my Sunday morning to see them after Mass rushing out of the sacristy to play football in the sun among the old tombstones. I can't help but think that the dear departed welcome their laughter and youthful high spirits as well.
Tuesday, October 15, 2013
Deo gratias!
We're so grateful for our altar boys at St. John's Cemetery Chapel who so earnestly and devoutly assist Father at our Sunday morning Missa Cantata.
Friday, October 4, 2013
Franciscus pauper et humilis
The Alleluia verse for today's celebration of the feast of St. Francis.
Mother Francis Mary in her book, A Right to be Merry, describes singing the Transitus from which these words are taken.
Mother Francis Mary in her book, A Right to be Merry, describes singing the Transitus from which these words are taken.
Monday, September 30, 2013
St. Michaelmas Alleluia
The Alleluia for the Feast of St.Michael yesterday presented some challenges, the first being that there seemed to be no recordings of it available. I was happy to discover through someone on the Musica Sacra forum an awesome resource: www.gregorianbooks.com which offers many recordings of hard-to-find propers so that was a happy benefit of my search.
The Alleluia is of particular note.
I found this section the most challenging with its two climacus of different lengths.
The Alleluia is of particular note.
I found this section the most challenging with its two climacus of different lengths.
Thursday, August 1, 2013
Credo VI
Looking through the various Credo's in the Kyriale, I was fascinated by this oft-recurring figure in Credo VI. It is repeated 21 times as the conclusion of every phrase.
The Amen:
The Amen:
Wednesday, July 17, 2013
Friday, July 12, 2013
Thursday, May 16, 2013
A Splendid French Mass Setting
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Henri Dumont (1610-1674) |
Wikipedia tells us that from 1652 Henri Du Mont was harpsichordist at the court of the Duke of Anjou (Philippe I, Duke of Orléans, a brother of Louis XIV), and in 1660 he obtained that post to the young queen Marie-Thérése. In 1663 he became "maitre" of the Chapelle Royale in Versailles, in 1672 he became "Sous-maître de la musique du Roy" (with Pierre Robert) and in 1673 became Master of the Queen's Music.
The notation may be found here, but I've had no luck in finding the organ accompaniment online. Will keep trying since I would love to introduce this mass setting to our schola and congregation. Of course, it's always possible to sing it acapella but we've found that using the accompaniment is a helpful aid in encouraging the people to sing along with the schola.
These recordings are from Saint-Eugene-Saint-Cecile:
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