Musica pro Domina: Gloria VI

Friday, July 25, 2014

Gloria VI

We are currently singing Mass VI at our Missa Cantata, and it is, in my opinion, an exceptionally singable mass setting. The Gloria is particularly memorable, and the use of identical cadences creates a lovely echo effect.

After we have learned Mass VI very well, it would be a worthy goal to learn to sing the strophes antiphonally between choir and congregation. This is the admirable practice of French traditional Catholics, and nothing is more thrilling than hearing the call-and-response effect between choir and congregation at the church of Ste.-Eugene-Ste.-Cecile when they sing the Ordinary of the Mass.

A recording is available at the liturgia.com website here.

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"It is most important that when the faithful assist at the sacred ceremonies . . . they should not be merely detached and silent spectators, but, filled with a deep sense of the beauty of the liturgy, they should sing alternately with the clergy or the choir, as is prescribed.

If this is done, then it will no longer happen that the people either make no answer at all to the public prayers---whether in the liturgy or in the vernacular---or at best utter the responses in a low and subdued manner."

Pope Pius XI, Divini cultus, 1928

These lovely and simple 3-voice motets have become the go-to pieces for our schola when we don't have much time to prepare
something new or don't have four voices available (usually when our tenor is at a college track meet). We have learned five of the twelve and the choir is always happy to see these fresh and graceful numbers on the program. A truly satisfying blend of Renaissance and contemporary musical styles. Available from Corpus Christi Watershed with accompanying CD and access to online practice videos.

Treasure-trove of hymns

The priest in charge of our Latin Mass loaned this (unfortunately out-of-print) Anglican hymnal to me when I began accompanying the choir, and I've spent many hours poring through it in search of the most liturgically appropriate hymn for every Sunday of the year. Every hymn has a full SATB accompaniment, and several have lovely descants as well. Multiple indexes in the back of the hymnal make my weekly hymn-finding adventures fairly painless. Not all are suitable for the EF Latin Mass, of course, but the stately old classics are all here, as well as some delightful newer ones.

About Us

Musica pro Domina (Music for the Lady) is a project of a member of St. John's Cemetery Chapel Schola, devoted to the study and performance of the Church's treasury of sacred music. Our mixed volunteer schola is dedicated to singing the full Propers of the Graduale Romanum every Sunday, as well as to learning new polyphonic motets. Another essential goal is encouraging our congregation to learn and sing as many of the Mass settings in the Kyriale as possible. Finally, we want to introduce our congregation to "the brightest and best" (cf. Fr. George Rutler) hymns of Christian hymnody.